Database / I I I I
デザイン資源のデジタルアーカイブ
所蔵分類名称(登録名)
Vermilion dining table, dining table, armchairs (reconstruction)
Vermilion dining table, dining table, armchairs (reconstruction)
- カテゴリー
-
- #Product
- 制作年(初号)
1925年(制作年)、2008年(復元年)
- 製作者
Nobuo Moriya
- サイズ
-
小卓子 : W495 × D495 × H710 mm
食卓 : W1089 × D1089 × H710 mm
肘掛椅子 : W610 × D670 × H910 mm
- 素材・技法
Wood (oak), lacquer finish
- 意匠登録番号
No registration
- 肖像権・パブリシティ権保持者
Not Applicable
- 著作権登録番号
No registration (Copyright lost)
- 所蔵についての問い合わせ先
Matsudo City Board of Education Cultural Property Preservation and Utilization Division Museum Preparation Room
Furniture that embodies the ideals of the late designer, Nobuo Moriya
詳細説明
Nobuo Moriya went to Europe and the United States in 1920 to study European furniture and patterns in England and France. After returning to Japan, he became an assistant professor at the Department of Wood Crafts of the Tokyo Higher School of Arts and Crafts.
The “Shu no Shokudo” is one of the model rooms presented at the 11th exhibition of the National Art Association in 1925, and was restored by Matsudo City in 2008. The Matsudo City Board of Education and the Kenmochi Design Institute conducted a detailed investigation of the restoration, referring to Moriya’s drawings and color instructions, and Miyazaki Wood Works was responsible for the production. The coloring was done by Masanobu Tamura at the Tokyo University of the Arts, and the work is a close reproduction of Moritani’s designs of the time.
This work is said to have been inspired by Japanese and Chinese vermilion lacquered sake cups, but the heart, clover, and other patterns and plant decorations are of Western origin. The armchair is said to have been made out of “curiosity to see how painting vermilion on an English early 18th-century rustic-style chair would give it an oriental feel,” demonstrating the knowledge of Western furniture that he had acquired while studying abroad.
While creating works that embodied his own ideals, such as the “vermilion dining room,” Moriya also formed the furniture organization “Ki no mecha” in 1926. Here, he aimed to produce and promote practical and beautiful Western-style furniture for the general public.