JAPAN Design Resource Database

02

Database / I I I I

デザイン資源のデジタルアーカイブ

  • INFOBAR A01 (iida) Color names: NISHIKIGOI, CHOCOMINT, KURO, HAKKA, CHOCOPINK
  • INFOBAR A01 (iida) Color names: NISHIKIGOI, CHOCOMINT, KURO, HAKKA, CHOCOPINK
  • INFOBAR A01 (iida) Color names: NISHIKIGOI, CHOCOMINT, KURO, HAKKA, CHOCOPINK

所蔵分類名称(登録名)

INFOBAR A01 (iida) Color names: NISHIKIGOI, CHOCOMINT, KURO, HAKKA, CHOCOPINK

INFOBAR A01 (iida) Color names: NISHIKIGOI, CHOCOMINT, KURO, HAKKA, CHOCOPINK

カテゴリー
  • #Product
制作年(初号)

2011

発売年

2011

製作者

Product Design: Naoto Fukasawa UI Design: Yugo Nakamura Planning and Production: Satoshi Sunahara (KDDI)

販売元

KDDI Corporation

製造元

Sharp Corporation

サイズ

W63 × D11.8 × H118 mm

素材・技法

Plastics (ABS, polyamide, PC, PMMA, etc.), strengthened glass, electronic components

意匠登録番号

Design Registration Nos. 1408709, 1408710, 1437257, 1437258, 1443466, 1433635

肖像権・パブリシティ権保持者

Not applicable

著作権登録番号

Not registered

所蔵についての問い合わせ先

KDDI MUSEUM

データ出典

Sunahara, S. (2017). The Morphology of Mobile Phones. Rokuyosha
au Design project website adp.au.com

3Dデータ (ダウンロード可能)

The integration of product design and UI design.

詳細説明

The year 2010 was marked by an atmosphere of excitement at the dawn of smartphones and social media. As people began using iPhones, Twitter, Facebook, and watching events and live music streamed via Ustream, a sense of rapid change filled the air. It was in this context that the planning of an Android-based INFOBAR progressed.

The core of smartphone design lies in the user interface (UI). The proposal envisioned a collaboration between product designer Naoto Fukasawa and interface designer Yugo Nakamura—a combination considered the strongest possible. The result was INFOBAR A01, which brought together a soft, friendly form featuring the iconic tile keys that define INFOBAR, and an iida UI seamlessly integrated with that form.

At the time, Android UI design was still immature, with icon designs lacking consistency. Nakamura approached this challenge through the design principles of “modules” and “composition,” creating a UI that remains visually coherent regardless of the icons used, while allowing users freedom to customize. The result was an interface combining fashion sensibility and playfulness, marking a new stage in the integration of hardware and software design.

【Awards】
2011: Good Design Award

【Collections】
Victoria and Albert Museum, London
Indianapolis Museum of Art, Indianapolis

Source: Sunahara, Satoshi (2017). *Keitai no Keitaigaku [The Morphology of Mobile Phones]*. Rokuyosha.

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